 Artist: Jean-Louis Murat: mp3 download Genre(s): Other Discography:  MOCKBA Year: 2005 Tracks: 14 The poet laureate of modern-day French rock, Jean-Louis Murat is an delphic and cloistered figure wHO communicates with the worldly concern at big virtually lone via his poignant and deep elegiac songs. Born Jean-Louis Bergheaud on January 28, 1954, in the Massif Central lot community of interests of La Bourboule, he worn-out the bulk of his childhood at his grandparents' grow in outback Murat-le-Quaire; non only would the village's key afterward double as his creative assumed name, only its rural asceticism would deep influence his songwriting as well. Murat began learning euphony at age vII, oftentimes sitting in on tenor sax and trumpet with his father's amateur band. A lone wolf by nature, as a teen he consumed the amatory literature of André Gide and D.H. Lawrence, eventually discovering American malarky and R&B. By 17 he was a hubby and forefather, at the same time perusing at Clermont-Ferrand -- the marriage proven passing, however, and Murat worn-out the next several long time as a nomad, working rummy jobs everyplace from Paris to Saint Tropez. In 1977 he returned to Murat-le-Quaire for good, forming a lot, Clara, that shortly served as the backing unit behind pop vocalist William Sheller. While Clara dissolved before long later, the exposure landed Murat a record plow with EMI, and he introduced his signature firebrand of romanticist despair with 1981's "Suicidez-Vous, le People Est Mort," which immediately earned censure from tuner station Europe 1. A six-song EP, Murat, followed in 1982, and iI age by and by he issued his number one uncut effort, Passion Priveé. Sales were nonexistent, and spell on go in support of CharlElie Couture, the isaac Merrit Singer well-educated that EMI had ended his shrink. Murat presently latched on with CBS, recording a number of demos that were unceremoniously shelved, and finally retreated back to the Massif Central to reclaim and design his side by side move. Despite minimal interest from equal labels, Virgin Records lengthened a shrink offer in early 1987, and before long after Murat resurfaced with the unmarried "Si Je Devais Manquer de Toi." The record proved an unexpected achiever, and set the leg for the 1989 LP Cheyenne Autumn, a profoundly atmospheric and melancholy song cycle that sold in surfeit of one C,000 copies. A 1990 follow-up EP, Murat en Plein Air, nonrecreational earnest court to nation life and farther cemented Murat's newfound commercial prowess, so much so that he future co-starred alongside Isabelle Huppert and Béatrice Dalle in film producer Jacques Doillon's La Vengeance d'une Femme. In the minds of many French critics, his side by side album, Le Manteau de Pluie, remains Murat's masterpiece, husking his music to its mere essentials in caricature of his idol and about orchestrate antecedent, Leonard Cohen. The follow-up, Venus, was recorded in exactly six years and strike retail in the autumn of 1993, past the singer's first-ever tour of duty, an eight-month trek highlighted by trey December dates at the Paris locus La Cigale that were by and by assembled for the concert LP Murat Live. Inspired by trip-hop and written in the heat of a failed relationship, 1996's Dolorès proved Murat's best-selling movement to engagement, and was followed by a brief tour of duty; he and then traveled to the U.S. to record 1999's Mustango, a free radical changeover from late efforts that spotlighted his scandalization against the force and racism more and more plaguing his native land. An lengthened tour yielded a second alive LP, Muragostang, and in 2001 Murat returned with a newfangled studio apartment project, Madame Deshoulières, a record based on a serial of poems by seventeenth one C lady Antoinette Deshoulières; conversely, six-spot months by and by he issued Le Moujik et Sa Femme, his most accessible and mainstream pop tone ending to date. At an age when nigh artists begin curtailing their creative rate, the 49-year-old Murat continued accelerating his output signal, in early 2003 cathartic the bleak, Neil Young-inspired Lilith. He side by side teamed with Elysian Fields frontwoman Jennifer Charles and bassist Fred Jimenez (a longtime collaborationist of French pop wunderkind Bertrand Burgalat) to create the ye-ye-influenced A Bird on a Poire, a work credited to all trey participants. Murat resurfaced in the springiness of 2005 with 1451, a limited edition multimedia arrange comprised of a 1,000-line verse form written by the singer as well as an consequent CD and DVD; a related project, 1829, set the lyrics of Napoleonic Empire-era ballad manufacturer Pierre-Jean de Béranger to original euphony. A newfangled LP, Moscou, presently strike retail as well, highlighted by duets with industrious pop stars Carla Bruni and Camille. The much-acclaimed Taormina followed in mid-2006. |
Sunday 31 August 2008
Download Jean-Louis Murat mp3
Thursday 21 August 2008
Soul Men Director Remembers Mac and Hayes
When one of his final flicks, Soul Men, is released, Bernie Mac will not only be remembered for his comedic acting chops, but likewise his great singing voice.
Yes, his tattle voice.
"He by all odds can bear a tune," the movie's director Malcolm D.� Lee told me this morning. "He does a great falsetto in the picture show, and a baritone and alto as well. He has a range. He plays a range of emotions in the picture show as well as octaves."
In the November flick, Mac and Samuel L. Jackson star as soul singers who agree to reunify and do at a tribute for their recently deceased band leader after being estranged for a couple of decades.
"They do their possess singing and their have dancing in the moving-picture show," says Lee. "You suffer the opportunity to find out both of these guys go for it in a substantial way that's fun and energetic."
Mac and Jackson volition be included on the movie's soundtrack. "We prerecorded five songs with Sam and Bernie," Lee says. "One of them is original, and the rest of them are covers." (Lee declined to let on which covers, because he'd like to keep it a surprise.)
Lee last spoke to Mac on the final sidereal day of shooting in April. "When I went to shake his hand and tell him how much I loved him and what a great occupation he did, he hugged me back and looked me in the oculus and aforesaid, 'Make a great film, man,'�" Lee remembered. "I promised him that I would."
Lee also has special memories of Isaac Hayes. The music caption plays himself in Soul Men. "He was scripted into the script as himself," Lee said. "When I came on, they asked, 'Do you want him in the motion-picture show?' and I was like, 'Of course.' Not to include him in the movie would have been sacrilege. I had to have Isaac in the film."
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Monday 11 August 2008
Police sign off with New York concert
Madison Square Garden show caps 151-show tour
NEW YORK -- The reunited Police took a final bow Thursday night at New York's Madison Square Garden, capping a 151-show circuit that will finish as the third highest-grossing of all time with $358,825,665 at the boxoffice, according to Billboard Boxscore.
Tickets could only be obtained via donation to local public television stations of the Cross Thirteen/WNET and WLIW21.
Bassist-vocalist Sting, guitarist Andy Summers and drummer Stewart Copeland began the proceedings with a surprise cover of Cream's "Sunshine of Your Love." Afterward, the New York Police Department band augmented normal set-opener "Message in a Bottle."
There was only an intermittent amount of sentimentality to the show, with Sting at one point apprisal the herd, "It's been a huge honor to get back with my good friends. The real triumph of this enlistment is that we haven't strangled each other -- that doesn't mean it hadn't crossed my mind."
But for the men onstage, it was clearly special. Sting's daughters danced with him onstage during "Every Little Thing She Does Is Magic," and a grinning Sting got so close to Summers as to susurration in his ear patch eating up his solo on "So Lonely."
Another eddy was protected for the encore, which began with a deft run through Jimi Hendrix's "Purple Haze." Just prior, the video recording screens revealed that the heavily whiskered Sting was being shaved backstage, patch simultaneously getting a manicure, pedicure and massage.
The final song was the breakneck "Next to You," one last reminder of the English band's punk-era roots. At its conclusion, Sting, Summers and Copeland bowed, hugged and jogged off the leg with smiles on their faces, patch the proverbial fat noblewoman sang and the Looney Tunes melodic theme "That's All Folks" played through the speakers.
The Police's tour -- the band's first performances since 1986 -- began May 28, 2007, in Vancouver and moved 3,300,912 tickets from 146 shows, plus five-spot festival plays, according to tour producer Live Nation.
The final gross puts it only slow the Rolling Stones' 2005-07 A Bigger Bang spell ($558 trillion), and U2's 2005-07 Vertigo tour ($389 million), and ahead of the Stones' 1994-95 Voodoo Lounge duty tour ($320 1000000), according to Boxscore.
The turn, which received top honors at the Billboard Touring Conference & Awards final November, was produced by Live Nation Global Touring chairman Arthur Fogel, and Bill Zysblat, partner at RZO Productions. It will be chronicled on the live CD/DVD "The Police: Certifiable," due Oct. 7 exclusively through Best Buy.
"Clearly, they're unmatched of the biggest bands of all time and this circuit has barely proven how strong an act they are around the mankind," Fogel aforesaid. "I think they rightfully enjoyed positive the legacy of the music and the band."
Billboard's Ray Waddell in Nashville contributed to this report.
Here is the set number for the Police's final show:
"Sunshine of Your Love"
"Message in a Bottle"
"Walking on the Moon"
"Demolition Man"
"Voices Inside My Head"/"When the World Is Running Down, You Make the Best of What's Still Around"
"Don't Stand So Close to Me"
"Driven to Tears"
"Hole in My Life"
"Every Little Thing She Does Is Magic"
"Wrapped Around Your Finger"
"De Do Do Do, De Da Da Da"
"Invisible Sun"
"Can't Stand Losing You"/"Reggatta de Blanc"
Encore one:
"Purple Haze"
"Roxanne"
"King of Pain"
"So Lonely"
"Every Breath You Take"
Encore two:
"Next to You"
NEW YORK -- The reunited Police took a final bow Thursday night at New York's Madison Square Garden, capping a 151-show circuit that will finish as the third highest-grossing of all time with $358,825,665 at the boxoffice, according to Billboard Boxscore.
Tickets could only be obtained via donation to local public television stations of the Cross Thirteen/WNET and WLIW21.
Bassist-vocalist Sting, guitarist Andy Summers and drummer Stewart Copeland began the proceedings with a surprise cover of Cream's "Sunshine of Your Love." Afterward, the New York Police Department band augmented normal set-opener "Message in a Bottle."
There was only an intermittent amount of sentimentality to the show, with Sting at one point apprisal the herd, "It's been a huge honor to get back with my good friends. The real triumph of this enlistment is that we haven't strangled each other -- that doesn't mean it hadn't crossed my mind."
But for the men onstage, it was clearly special. Sting's daughters danced with him onstage during "Every Little Thing She Does Is Magic," and a grinning Sting got so close to Summers as to susurration in his ear patch eating up his solo on "So Lonely."
Another eddy was protected for the encore, which began with a deft run through Jimi Hendrix's "Purple Haze." Just prior, the video recording screens revealed that the heavily whiskered Sting was being shaved backstage, patch simultaneously getting a manicure, pedicure and massage.
The final song was the breakneck "Next to You," one last reminder of the English band's punk-era roots. At its conclusion, Sting, Summers and Copeland bowed, hugged and jogged off the leg with smiles on their faces, patch the proverbial fat noblewoman sang and the Looney Tunes melodic theme "That's All Folks" played through the speakers.
The Police's tour -- the band's first performances since 1986 -- began May 28, 2007, in Vancouver and moved 3,300,912 tickets from 146 shows, plus five-spot festival plays, according to tour producer Live Nation.
The final gross puts it only slow the Rolling Stones' 2005-07 A Bigger Bang spell ($558 trillion), and U2's 2005-07 Vertigo tour ($389 million), and ahead of the Stones' 1994-95 Voodoo Lounge duty tour ($320 1000000), according to Boxscore.
The turn, which received top honors at the Billboard Touring Conference & Awards final November, was produced by Live Nation Global Touring chairman Arthur Fogel, and Bill Zysblat, partner at RZO Productions. It will be chronicled on the live CD/DVD "The Police: Certifiable," due Oct. 7 exclusively through Best Buy.
"Clearly, they're unmatched of the biggest bands of all time and this circuit has barely proven how strong an act they are around the mankind," Fogel aforesaid. "I think they rightfully enjoyed positive the legacy of the music and the band."
Billboard's Ray Waddell in Nashville contributed to this report.
Here is the set number for the Police's final show:
"Sunshine of Your Love"
"Message in a Bottle"
"Walking on the Moon"
"Demolition Man"
"Voices Inside My Head"/"When the World Is Running Down, You Make the Best of What's Still Around"
"Don't Stand So Close to Me"
"Driven to Tears"
"Hole in My Life"
"Every Little Thing She Does Is Magic"
"Wrapped Around Your Finger"
"De Do Do Do, De Da Da Da"
"Invisible Sun"
"Can't Stand Losing You"/"Reggatta de Blanc"
Encore one:
"Purple Haze"
"Roxanne"
"King of Pain"
"So Lonely"
"Every Breath You Take"
Encore two:
"Next to You"
Wednesday 6 August 2008
SAG factions battle for board
Strategy is key for MembershipFirst, Unite for Strength
A divided SAG is nothing new.
When the union was formed in 1933, in that respect were actors who supported forming a performers conglutination and those who opposed it.
Not much has changed in 75 age as Tuesday's announcement of 84 candidates out of Hollywood vying for seating on the union's national board demonstrated.
The New York division has 20 candidates in the running for five national board seats and nine-spot alternates. There also ar seven other national board seats for branches outside of Hollywood and New York open.
In addition, the Hollywood division has 11 seats for the national board open, along with 22 alternates. Two factions have emerged in the battle for those seats.
On one slope is MembershipFirst, the faction that currently holds the majority of SAG's national board and Hollywood display board. MembershipFirst has 22 incumbents and 11 newcomers looking to fill up the 23 open seating room on the national board.
On the other side is Unite for Strength, a group that came unitedly during the current negotiations stalemate by members defeated with what they see as MembershipFirst's focus on battling sister union AFTRA at the expense of getting a new deal with the studios.
MembershipFirst's slate wants to continue what it calls a four-year streak of "firsts" for the order, citing the development of an online actors' directory, iActor as well as forming new technology/new media and organizing departments inside the social club and negotiating basic cable residuals.
"We're the outset group to help create a $20 million excess," said Anne-Marie Johnson, a SAG circuit board member and MembershipFirster. "We're also the first chemical group to manage SAG's commercials contract topping the $800 million mark."
Unite for Strength, lead by veteran worker Ned Vaughn, lists new media as its whirligig issue merely also is focusing on unity among the guild and disposing of factionalism that it says has "damaged the guild's effectiveness."
"We offer alternatively our commitment to service and our extensive personal experience of what it takes to make a living in this tough business," the group says on its Web land site. "We know that putt SAG's rank first means getting results for actors; talking tough is nonmeaningful if it isn't backed up with strategy and unity."
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A divided SAG is nothing new.
When the union was formed in 1933, in that respect were actors who supported forming a performers conglutination and those who opposed it.
Not much has changed in 75 age as Tuesday's announcement of 84 candidates out of Hollywood vying for seating on the union's national board demonstrated.
The New York division has 20 candidates in the running for five national board seats and nine-spot alternates. There also ar seven other national board seats for branches outside of Hollywood and New York open.
In addition, the Hollywood division has 11 seats for the national board open, along with 22 alternates. Two factions have emerged in the battle for those seats.
On one slope is MembershipFirst, the faction that currently holds the majority of SAG's national board and Hollywood display board. MembershipFirst has 22 incumbents and 11 newcomers looking to fill up the 23 open seating room on the national board.
On the other side is Unite for Strength, a group that came unitedly during the current negotiations stalemate by members defeated with what they see as MembershipFirst's focus on battling sister union AFTRA at the expense of getting a new deal with the studios.
MembershipFirst's slate wants to continue what it calls a four-year streak of "firsts" for the order, citing the development of an online actors' directory, iActor as well as forming new technology/new media and organizing departments inside the social club and negotiating basic cable residuals.
"We're the outset group to help create a $20 million excess," said Anne-Marie Johnson, a SAG circuit board member and MembershipFirster. "We're also the first chemical group to manage SAG's commercials contract topping the $800 million mark."
Unite for Strength, lead by veteran worker Ned Vaughn, lists new media as its whirligig issue merely also is focusing on unity among the guild and disposing of factionalism that it says has "damaged the guild's effectiveness."
"We offer alternatively our commitment to service and our extensive personal experience of what it takes to make a living in this tough business," the group says on its Web land site. "We know that putt SAG's rank first means getting results for actors; talking tough is nonmeaningful if it isn't backed up with strategy and unity."
More information
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